Dancer Singer Actor - The Triple Threat

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ike apt find out what my clients do that is so effortless they don't even calculate about it, and aid them convey those innate skills into their other go areas. In the circumstance of the treble threat, there is routinely one mode of communication that is deeper, extra unconscious than the others. So I will alternate my coaching language to fit that mode.
If your 1st language is dance, I might describe the vocal techniques you must learn in terms of physicality alternatively activity, stamina alternatively brawn use. Supposing your easiest mode is acting. You might understand my vocal technique proposals if you heard them couched in terms of characterisation, emotions, descriptive keywords or contrive devices. And whether singing is your premier, most fundamental language, I might choose to narrate technical singing or deeding directions for clause fashions, color or tempo.
When you realise which is your own main language, it becomes easier to understand what other folk mean, what they really absence from you. Translating what a director has asked for into your own "language" helps you to understand the instructions on a much deeper level. And that will produce a many more genuine performance. You're happy because you successfully understood the director's instructions, and the director's merry because you did what he asked you to do, and you knew what he was talking about. And if the director thinks you understand him and where he's coming from (and assuming you can really do what he wants), he's much more likely to employ you.
There is a peril with the triple threat actor that they tin chance overloaded with classes or instructions, simply because all three disciplines necessitate converge, practice and attention. Once you understand what your main strength is, no merely will you ease up ashore yourself in that area, you'll be proficient to apply the skills and strengths of that area in the other, more challenging areas. My early training was exclusively as a singer, and melody is my first language. But I've been capable to transfer my melodious disciplines and skills into understanding and working with performers and dancers, and I now work with a wide variety of theatre performers and logging talents.
It's people ecology to dismiss something that we're REALLY good at, precisely BECAUSE we're certainly good at it. It's the thing that, while you watch other people who can't do it, mystifies you. "But it's so uncomplicated" you say, "Anyone can do it". But anyone can't - you have a special resonance that makes that thing feel incredibly easy to do. The more you do that is second ecology to you, the more you "resonate" with your own genii, awards and physicality. And when you "resonate" well, people are naturally fascinated to you. How chilly is that?
When you realise that people actually want you to do the thing you do best, and that you will obtain paid for it, life can be a lot more amusement. My faith is that we are here to do what we do well. And applying what we do well to other areas of our life can make the difference between a hard life and a happy life.
So what's your main strength?